And depending upon the temperament and personality of the animal, you may or may not be able to sketch it. Much like humans, animals will have the tendency to move around. These will most likely be things that you’ll commonly draw in any of your more serious works. Also consider drawing common objects around the house: your coffee cup, tv, chair, etc. The nice thing about inanimate objects is that they don’t move (so you can take your time), they can’t complain, and the experience is usually a bit more enjoyable. You can draw all sorts of inanimate objects such as trees, cars, buildings, benches, etc. Luckily while you’re out and about in the world, you won’t be just drawing people. After a while, you’ll pick up your own habits and tricks. Sketching strangers in public is in itself an art form. After you’re able to capture the most important details on paper, if possible, then you’ll look for the next layer of details to capture. My best advice would be to be as discreet as possible and train your eyes to scan for the most important details of your subject. This can lead to a possible guilt trip since it’ll be an awkward moment and you’re not trying to be a weirdo. When your sketching people, I’ll assume you won’t go to everyone you see and ask them if it’s okay if you draw them for a few seconds.įrom my experiences, whenever I make it too obvious that I’m observing them (regardless if they can tell if I’m sketching them or not) I’ll get dirty or awkward looks. This reminds me of the debate I heard about in a college photography class about whether or not it’s right to take pictures of people in public places without their consent. Now we need to discuss a topic or problem that you’ll likely run into. You’ll also learn how to draw clothing and develop a better idea of how different fabrics drape over the human body Sketches of people from one of my sketch pads. Your proportions will become more and more accurate. Sketching folks in public will also build up your drawing skills and help you learn about the human anatomy. I know some of us to have photographic memories, but for the rest of us, this is not easy.Īfter a while, your mind will be able to grab most of the major details so your sketch will actually look like a person. (We’ll get into that later.) If you do choose to draw people, be prepared to sketch rapidly, and leave some flexibility in your sketch in case your muse turns his/her head or shifts a limb. The trouble with people is that they have the tendency to move, walk around, or look at you strangely like you’re some pervert. Ideally, you’ll consider drawing people first. Potential subjects will be anywhere you look. Drive downtown, to a theme park, or any other place you’d find interesting subjects. Some ideal places would be the mall, a park, or a college campus. You’ll never know when that latest spark of inspiration will strike. You can and should take your sketch pad everywhere. With a mechanical pencil and a Sharpie marker, I can sketch, doodle, and flesh-out ideas to my heart’s content. (Nothing that a staple gun couldn’t fix.) But it’s small, and I can take it anywhere. The paper’s pretty decent, but whoever made them used a really cheap glue, so the pages fall out. You can practically find them in almost any store. (And the eyes roll here.) They come in all sizes, in different page counts, different types of paper, and in a wide price range. If not I have a cheap and easy solution that every artist and doodler should have. Ego?! Have you been practicing your drawing lately? Have you at least doodled?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |